MAGIC BULLET LOOKS PLUG IN PRO
MAGIC BULLET LOOKS PLUG IN TRIAL

The top spot has to go to Red Giant’s Universe plugin. It cannot be understated how much value that suite gives you. BUT again, the plugin comes as part of the wider Magic Bullet Looks Suite as well as the previous two plugins we have looked at already.

MAGIC BULLET LOOKS PLUG IN PRO

The Lumetri Color effect from Premiere Pro may seem advanced but the Colorista IV plugin has so many tools packed into this one application that it’s hard to compare the two.Ĭolorista IV is actually available as a standalone plugin for less than the Magic Bullet Looks plugin, at $199. Giving you advanced options for tweaking your color grade. Colorista IV Red Giant Colorista IVįor number two we have Red Giant’s Colorista IV which takes Magic Bullet Looks and goes a step further. It is well worth it for the extra tools it gives you. Magic Bullet Looks as a separate plugin is available for $399 BUT I highly recommend going the extra on budget, if you can, for the whole Magic Bullet Suite. I can then build on that with Colorista or Lumetri Color and create a bespoke and impactful grade. I save a few different ‘look’ presets that I prefer and can apply quickly to get a first version out to a client with a draft grade on. I have used Magic Bullet Looks (along with the Colorista plugin) so many times it would be hard to put a number to it. Magic Bullet Looks is aimed at Editors and Videographers who don’t want to dive down too deep into the rabbit hole of color grading but know that a decent color tweak can make all the difference. This is incredibly useful as a time saving device in post because if you have a look that you like and you just want to throw it on your footage without having to do too much more to it than that. You can save that ‘look’ as your own preset and use it time and time again. It comes with many features but most importantly of all, it comes with pre-made LUTs and effects that you can assign to your footage and build up your own ‘look’. This is the standalone plugin from the Magic Bullet Looks Suite. Magic Bullet Looks 4 Red Giant Magic Bullet Looks 4Īt number three we have Red Giant Magic Bullet Looks. Meaning you get access to every plugin and product in their catalogue for $50 a month! 3. Red Giant now offer an annual subscription to all of their products called Red Giant Complete and is available for $599. The suite contains even more of the best plugins we are going to look at below and is an incredible investment for any videographer as part of their post-production toolkit. The plugin is available as a stand alone plugin for $199 or you can actually purchase it as part of the brilliant Magic Bullet Looks Suite for $899. It can do a fantastic job and if you push it even further you’ll find some results that may surprise you but be careful with this plug-in because it does take a long time to render when you have this effect on your footage. The plugin uses a pretty intensive algorithm to analyze your footage and remove noise from the image a replace with pixels it believes would have otherwise been there. This may be another plugin that you’ve heard us talk about before and that is for good reason because it’s so good at removing noise straight out of the box. Denoiser III Red Giant Denoiser IIIĪt number four we have Red Giant’s Denoiser III. I highly suggest that you use it to give the app a go because you won’t look back.

MAGIC BULLET LOOKS PLUG IN TRIAL

PluralEyes is available for $299 but it is also worth noting that as with most Red Giant plug-ins there is a 14-day free trial you can use. The program comes as a stand alone application you can open up and add your files for synchronization to or you can even use the extension inside of Premiere Pro so that you don’t have to go through the UI of the plug-in. With PluralEyes you can literally just throw your footage at it and it will create a timeline for you, syncing up separately recorded audio and video files using the embedded audio waveform from your files. Which if you are conducting a multi-person, multi-cam shoot or any sort of shoot that doesn’t involve a shotgun mic connected to your camera then you will be used to the pain of syncing up your media afterwards. Who is this for? This is for anyone that uses an external recording device separate to their main camera body and therefore has to sync up their audio to their footage in post after the shoot.

Magic bullet looks plug in